View a feature film made between 1927 – 1970 you have not seen before by a great director.

Film Essay Paper One (FINAL): film made between 1927 – 1970

Assignment

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Due April 10 at 11:30 PM

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Paper One is due at the end of Week Three: Note: I extended this deadline a couple of days since Week #3 is a busy week; please contact me early with questions. You can send a draft or schedule a phone/email conference with me, but I need 36-48 hours notice. 

To see the entire description of both papers, click here > Paper Assignments

The requirements are also posted below, with further clarifications.

FORMATTING REQUIREMENTS: MLA; 12 point font; 1 inch margins; double spaced; “Works Cited” Page; 4-6 Full Pages (800–1200 words). MLA Requirements

Paper One Assignment for Film One (F1):

Part 1: View a feature film made between 1927 – 1970 you have not seen before  by a great director. If you would like to see an American film, consider seeing something directed by Frank Capra, George Cukor, John Ford, George Stevens, Preston Sturges, Billy Wilder, or William Wyler.

If you would like to try a foreign film, consider Ingmar Bergman (Swedish), Luis Buñuel (Spanish), Claude Chabrol (French), Federico Fellini (Italian), Akira Kurosawa (Japanese), Lina Wertmuller (German) or the British team known as “The Archers” made up of Michael Powell and Emeric Pressburger.

These are suggestions, but not a comprehensive list of possibilities. For a much more extensive list, you might want to visit http://www.filmsite.org/directors.html. (Note that many directors were active both before and after 1970. Make sure you see a pre-1970 film, make sure it’s a film you have not seen before, and make sure it is a feature. Don’t, for example, see Buñuel’s UN CHIEN ANDALOU, which is a short, not a feature.). Another source is “Senses of Cinema” under the heading “Great Directors” which provides biographies and filmographies for a large list of American and Global directors. http://sensesofcinema.com/

Comment on the specific film you saw. Pay particular attention to the camerawork (cinematography) the editing (montage) and the sound (this can include the music). What did you like, and what did you dislike, about what you saw? Why do you like the things you like, and why do you dislike the things you dislike? Is the film a good film, or is it not? (Note: This is not the same question as whether or not you liked it. It is entirely possible to like a film that you are aware is not very good.) You should comment on the film both as a representative of its genre and as a film. The esssay should be unified by a THESIS statement that addresses the question of the impact of the film on your and the reasons why.

 Part 2: Now that you have commented on the specific film you viewed, see if you can draw some general conclusions about the work of the director and one of the main actors or actresses. For example let us say you watched the 2012 film Prometheus (no, this is a not a film you can watch for this paper). Did you like Ridley Scott as a filmmaker? Did you like Michael Fassbender in the roll of an emotionless android? Why, or why not? Be sure to comment on the overall impression you had of the film, including how you see it as an example of the its genre and time period. Remember, this is not a research paper. I am interested in what you have to say, not in what you can learn by reading up on the film or the filmmaker.

Part 3: On a separate page, insert the heading “My Criteria for Quality in Film.” Under that heading, use your comments about this film and its filmmaker as guidelines toward proposing five general statements indicative of your personal taste in movies. These statements should be numbered (1) through (4), and they should be written as complete sentences or a short paragraph. It might be useful to introduce each statement with such language as “Excellent movies feature,” or “A movie is more likely to be good if,” or “A characteristic of high-quality cinema is.” (For example, if you commented in the body of your essay that you liked the acting because it was realistic and you liked the script because it had a happy ending, you could propose these two statements as criteria for quality: “(1) Excellent movies feature realistic acting. (2) A movie is more likely to be good if it ends happily.” Do not just put something like “Good movies feature good acting.” The point here is for you to think about—and then explain—what such quality words as good, excellent, and effective actually mean. Be sure to save your “My Criteria” page to your hard drive—you will be adding more items to this list and resubmitting an expanded version of it with for the second paper later in this course

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